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no. 88 (mailed December 9th)
Editors Letter
Cooking by Feel: Central Texas Barbecue
Jordan Mackay
The fire and smoke and slowness, the meats, the differences
among the best Central Texas barbecue joints.
Caviar Jeff Cox
The most delicious and ethical farmed caviar now that
stocks of wild sturgeon have been poached to the point of
being endangered and the distinctions in taste among
the several kinds from different species of sturgeon.
Two French Cabbage Recipes: Chou farci and Chou rouge au
châtaignes Edward Behr and James MacGuire
Basic cabbage dishes tend to run across cultures. Here are
French takes on stuffed cabbage and sweet-and-sour
red cabbage with chestnuts.
Raspberries: The Taste of Home-Grown Lee Reich
The very best, most raspberry-tasting raspberries come
from some of the least common varieties.
Quince: The Perfumed Fruit
Melissa Pasanen
Truly delicious quince is one of the rarest of fruits, but here
and there you can find flavorful varieties picked properly ripe.
With a recipe for sliced quince in sweet syrup.
Why This Bottle, Really?
Peter Liem on Fino Inocente (Jerez) from Bodegas Valdespino
Jon Bonné on Outis, Etna Rosso (Sicily), from Vini Biondi
Notes and Resources
The Art of Eating Cookbook: Essential Recipes from
the First 25 Years
Restaurants
New York: Winnie Yang on Kajitsu
Oakland: Emily Kaiser Thelin on Camino
Books
Michelle Dumitriu-Machtoub on Barbara Abdeni Massaadis
Mouneh: Preserving Foods for the Lebanese Pantry
James MacGuire on the Dictionnaire universel du pain
Edward Behr on Alice Feirings Naked Wine: Letting Grapes
Do What Comes Naturally and Jacqueline Friedrichs Earthly
Delights from the Garden of France: Wines of the Loire, Volume I,
The Kingdom of Sauvignon
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Editors Opening Letter
Were 25! When I began to publish a slim food letter in 1986, I had a wholly unrealistic expectation that it would achieve a big, early success and beyond that no clear notion of where The Art of Eating was headed. Success came slowly as it happened, and eventually those few black-and-white pages became a color magazine with a modest-size but influential and deeply interested audience. In a parallel evolution, I accumulated a large experience of food and drink with a particular focus on raw materials. I was driven by both curiosity and a sense of romance.
Looking now at those early issues, Im surprised at how fundamental and DIY most of the subjects are: making your own three-day bread, your own wood-fired clay oven, your own fresh cheese, your own sausages, sharpening kitchen knives (only the last being essential). I wrote about the importance of salt, the advantages of stone-ground flour, the first wave of American farm cheeses. But I also dug into the more refined topics of Tahitian vanilla, brioche, tomatoes, roast beef, freshness in fish, chervil, and delicate custard. From the start I was looking for the essence of the taste, the real thing, whether in raw materials or the finished dish. I asserted the importance of place, as a rule, in producing the most delicious taste.
Twenty-five years later, we still publish articles about the best bread and cheese, written with somewhat deeper understanding, and we cover a widening range of ingredients and cuisines. The topics of those first issues, including the link of taste to place, are still fundamental to delicious food. And when we taste today, however innovative the food may be, the methods and flavors of traditional food are still the point of reference. And place remains an enormous part of why traditional food matters. The new Art of Eating Cookbook, collected from the magazine and described in this issue, honors the strength of that foundation.
Theres a lot to celebrate about food today. Where quality once seemed on a long inexorable slide downhill, its now widely recognized that theres powerful economic value in deliciousness. More delicious food often affects our environment for the better, when the higher quality is linked to sustainable farming. There's still plenty of bad news in the mass market and in the oceans, but an increasing number of products are made well, ethically, sometimes brilliantly. Wine, beer, and all kinds of drink are readily available in superlative non-industrial forms. And almost anywhere you go in the United States, if you know where to look you can find a quality of food that was unimaginable when I began. Amid all the complexity of food and drink, the topics we have yet to cover in AoE seem endless.
Edward Behr,
November 2011 |